I think that what we consider “natural” ability is mostly learned in a sense, albeit for some very early in life. I’m sure we’ve all had those students that certainly made us wonder! I had to consider what I’d witnessed, eventually weighing the effects of nature versus nurture in my own experiences. ![]() ![]() In the comments Deb, always a thoughtful reader and responder, pondered if teaching musicality was even possible especially for those don’t seem to be born with a musical gene. Within the article I shared some reasons why it is important to help your students improve their musical receptivity and offered a few methods to help bridge the gap in experience and increase students’ sensitivity to music at any age. In a previous blog post I offered my thoughts on How To Develop Musical Awareness In Dance Students. It is a key ingredient in a dancer’s display of artistry (more on developing artistry can be found here). Musicality in dance then might be considered a measure or degree to which a dancer is receptive and creative in his translation or rendering of music through movement. Musical creativity (or musical artistry) is the ability to connect with accompanying music, interpret it, or phrase and add movement dynamics that relate to music even in the absence of accompaniment, in a way that is unique or interesting. ![]() Musical receptivity is ones ability to receive, comprehend, be sensitive to, and have a working knowledge of musical concepts like rhythm, tempo, phrasing, and even mood. Musicality in dance has two main components. Image by carolyntiry via Flickr What Is Musicality?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |