![]() ![]() His clinical reply, though, is logical for a film that begins with a quote by Wilhelm Riech (“A sexually repressed society will resort to violence”) and whose main character speaks as if she were one of his disciples: “Free love is the only true love,” Angela tells Bill after he doesn’t let a threesome get past the point where he strokes another guy’s boner. “What do you feel right now?” Angela fishes at one point, to which Bill answers “arousal”-not “horniness” or “annoyance by your incessant questioning” (that would be too credible a response). If he wasn’t just as annoying as she was, you’d think he was fucking her just to get her to shut up. The actor doesn’t exude much more dynamism when Solanis sits on his cock, possibly for real, but we may consider-if one wanted to be so kind-Wortham’s comatose performance a defense mechanism against the wearying thuggishness with which Angela, a PEZ dispenser spitting out endless, highly exclamatory fortune-cookie wisdoms, serves as an enlightened third-world preacher teacher for the disgruntled, repressed white man who tried to mess with capitalism and was screwed back. Rinse, then repeat.Ī sad sack antipathetic toward everything, Bill is played by a possibly lobotomized James Wortham, who stares across rooms at the naked Angela (Shari Solanis) as if he were trying to make out the letters on a distant street sign. Need for power…I made a big hole in the bank,” after which she allows him to make a deposit inside her. “What went wrong with the banker?” asks the fiery Latina to the white banker early on, to which the poor guy responds, “Ambition. These archetypes, more like Pavlov’s dogs, depressingly lecture each other on the politics of sex, money, and personal freedom, then proceed to fuck like bunnies. The story is structured as a series of transactions between its two leads, a disgraced banker on the run from the law, and an illegal Latina who agrees to help him leave the country. ![]() This bud has small rounded piecey dark olive green nugs with purple undertones, long thin orange hairs and a coating of tiny bright white crystal trichomes.Shrilly over-written and artlessly directed by Philippe Diaz, and with the same presumptuousness he brought to the documentary The End of Povery?, Now & Later follows stilted talk with stilted sex. Thanks to these heavy effects and its super high 20-26% average THC level, Now N Later is often chosen to treat conditions such as chronic pain, insomnia, appetite loss or nausea, chronic stress and muscle spasms or cramps. A sedative body high comes next, locking you to the couch and leaving you fully immovable for hours on end. You'll feel a lift at the onset of the high, boosting your spirits with a euphoric overtone that doesn't affect your energy level in the slightest. The Now N Later high isn't quite as bright as the taste or flavor, with super heavy effects that will knock you flat out. The aroma is very similar, with hints of earthy herbs and spices that turn sour and citrusy as the nugs are broken apart and burned away. This bud packs a sweet citrusy taste with hints of rich woods upon exhale. Named for the classic candy, Now N Later packs a super delicious flavor and super relaxing high that will have you kicking back before you fully pass out in no time at all. Now N Later, also known as “Now & Later” or “Now N Laterz,” is an evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the infamous Zkittlez X Abula strains.
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